Showing posts with label thoroughbred. Show all posts
Showing posts with label thoroughbred. Show all posts

Sunday, March 13, 2011

what does 'wastage' refer to in relation to the horse racing industry?



“Once the horses, rather than the profits, are put first, the flow-on effect will be felt by trainers, owners, riders, breeders and punters; in other words, the entire racing community. It always has to be horse first, people later.” 
Bart Cummings: My life, 2009

'Wastage' refers to the large number of horses that are lost from the racing industry each year due to injury, poor performance or behavioural problems. Some are rehomed in the equestrian/pleasure riding industry, but an alarming number of young (often healthy) thoroughbreds and standardbreds are sent to the slaughterhouse on a yearly basis. It is estimated that for every 1000 foals born to the racing industry, only 300 will race.* And of those who race, their racing career may make up only a third or a quarter of their life time.


If you'd like to find out more about 'wastage' and some ideas on how to combat the problem, you may find Jane Duckworth's article of interest:

"What responsibility does the racing industry take for the horses that are excess to requirements? Leith Babian, a well known former jockey (rider of Lord Penn) and horse welfare advocate says: ‘[The industry] mass-produce thoroughbreds and we injure them physically and mentally. 
It follows that we are responsible for giving them a fair go at living a full life where they can be retrained’. Leith agrees that the vast majority of the hands-on racing participants in the industry like the horses, and most love them. He says that there are a lot of people who get very attached to them and spend most of their time nurturing, cleaning and feeding thoroughbreds. Their world revolves around horses ..." but how does this fit with the potentially ruthless requirements of business profits? (see link below for Jane's article).

The dangers involved when inexperienced riders are paired with inexperienced horses were recently highlighted in a very sad story by the 7.30 Report, after a young rider was paired with a very young racehorse (I think I heard four years??), recently off the track. The horse bolted and, tragically, the girl fell and was killed. The story focused on the concept of tracking horses' histories, but I thought it would have better spent even more time on questioning why a young racehorse was used in a basic riding/training course. It's natural for a racehorse to gallop (often unexpectedly) but many racehorses can be successfully retrained for pleasure riding with time and patience (and preferably years spent with experienced riders before they are paired with beginner or intermediate riders). I should say that one of the quietest and most reliable beginner horses I have ridden was a thoroughbred. The horse in this tragic story was not necessarily a dangerous horse, simply an inexperienced one that required much more training.

The question is, how many people are willing to take the time and expense to retrain these horses? And is the industry responsible for what happens to these horses once they go to the saleyards?

Read more of Jane Duckworth's article from Horses and People Magazine
See what steps the racing industry is taking to address this serious problem.
*See RSPCA site


Monday, October 12, 2009

Gunsynd - oil on canvas

portrait of Gunsynd by ophelia keys Apologies if I've posted this before. It's a sketch for a portrait of Gunsynd - a legendary Australian thoroughbred. I really should finish it! He was the most beautiful grey, with a very light face.

Wednesday, March 25, 2009

thoroughbred in ink

thoroughbred painting in ink by ophelia keysIn response to a question by Grey Horse Matters, I thought I should share some info on how often I sketch. While I have seen artist blogs where the artists produce a painting a day (and for those who actually do that - wow!), I find that the practicalities of a day job and fitting in horseriding, writing and friends requires me to paint in bursts.



'Works in progress' are always current works, and as soon as I do a little drawing/painting burst I will post these recent images in preference to older ones. Sometimes I look through my sketchbooks and pick out images that I want to share. This one is an older image, when I was first getting really into ink. There are things I would like to change about it, conformation-wise, but the beauty and challenge of ink is that you have to stand by what you do!

Friday, March 6, 2009

byerley turk I

First phase of a pastel drawing of the Byerley Turk, one of the three legendary foundation sires of the modern Thoroughbred.

Tuesday, February 3, 2009

horses I know - la maglia rosa

La Maglia Rosa a Thoroughbred Warmblood Here is a drawing of a friend's horse, Maggie AKA La Maglia Rosa. She is a Thoroughbred/Warmblood cross, which seems to mean she has the endless energy of a Thoroughbred and the size (and enormous movement) of a warmblood.

My husband and I have got so much joy watching her grow from a gangly, enormous-eared and rather silly adolescent to a magnificent (but still rather silly) adult.

Is there anything more moving than having a horse gallop up to you at the fence? Maggie comes to a sliding stop, enveloping us in dust, and expecting to be petted and entertained. She has to be involved in anything that's going on. She is also the most tactile horse I've ever met, loving to be scratched everywhere, and having a tendency to lick your face and hair for as long as you allow (or until her teeth make an appearance). Here's a drawing of her, with reference to some photos my husband took (she moves too fast to be sketched!).